The Innocents Abroad Read online

  One of our favorite youths, Jack, a splendid young fellow with a head full of good sense, and a pair of legs that were a wonder to look upon in the way of length and straightness and slimness, used to report progress every morning in the most glowing and spirited way, and say:

  "Oh, I'm coming along bully!" (he was a little given to slang in his happier moods.) "I wrote ten pages in my journal last night—and you know I wrote nine the night before and twelve the night before that. Why, it's only fun!"

  "What do you find to put in it, Jack?"

  "Oh, everything. Latitude and longitude, noon every day; and how many miles we made last twenty-four hours; and all the domino games I beat and horse billiards; and whales and sharks and porpoises; and the text of the sermon Sundays (because that'll tell at home, you know); and the ships we saluted and what nation they were; and which way the wind was, and whether there was a heavy sea, and what sail we carried, though we don't ever carry any, principally, going against a head wind always—wonder what is the reason of that?—and how many lies Moult has told—Oh, every thing! I've got everything down. My father told me to keep that journal. Father wouldn't take a thousand dollars for it when I get it done."

  "No, Jack; it will be worth more than a thousand dollars—when you get it done."

  "Do you?—no, but do you think it will, though?

  "Yes, it will be worth at least as much as a thousand dollars—when you get it done. May be more."

  "Well, I about half think so, myself. It ain't no slouch of a journal."

  But it shortly became a most lamentable "slouch of a journal." One night in Paris, after a hard day's toil in sightseeing, I said:

  "Now I'll go and stroll around the cafes awhile, Jack, and give you a chance to write up your journal, old fellow."

  His countenance lost its fire. He said:

  "Well, no, you needn't mind. I think I won't run that journal anymore. It is awful tedious. Do you know—I reckon I'm as much as four thousand pages behind hand. I haven't got any France in it at all. First I thought I'd leave France out and start fresh. But that wouldn't do, would it? The governor would say, 'Hello, here—didn't see anything in France? That cat wouldn't fight, you know. First I thought I'd copy France out of the guide-book, like old Badger in the for'rard cabin, who's writing a book, but there's more than three hundred pages of it. Oh, I don't think a journal's any use—do you? They're only a bother, ain't they?"

  "Yes, a journal that is incomplete isn't of much use, but a journal properly kept is worth a thousand dollars—when you've got it done."

  "A thousand!—well, I should think so. I wouldn't finish it for a million."

  His experience was only the experience of the majority of that industrious night school in the cabin. If you wish to inflict a heartless and malignant punishment upon a young person, pledge him to keep a journal a year.

  A good many expedients were resorted to to keep the excursionists amused and satisfied. A club was formed, of all the passengers, which met in the writing school after prayers and read aloud about the countries we were approaching and discussed the information so obtained.

  Several times the photographer of the expedition brought out his transparent pictures and gave us a handsome magic-lantern exhibition. His views were nearly all of foreign scenes, but there were one or two home pictures among them. He advertised that he would "open his performance in the after cabin at 'two bells' (nine P.M.) and show the passengers where they shall eventually arrive"—which was all very well, but by a funny accident the first picture that flamed out upon the canvas was a view of Greenwood Cemetery!

  On several starlight nights we danced on the upper deck, under the awnings, and made something of a ball-room display of brilliancy by hanging a number of ship's lanterns to the stanchions. Our music consisted of the well-mixed strains of a melodeon which was a little asthmatic and apt to catch its breath where it ought to come out strong, a clarinet which was a little unreliable on the high keys and rather melancholy on the low ones, and a disreputable accordion that had a leak somewhere and breathed louder than it squawked—a more elegant term does not occur to me just now. However, the dancing was infinitely worse than the music. When the ship rolled to starboard the whole platoon of dancers came charging down to starboard with it, and brought up in mass at the rail; and when it rolled to port they went floundering down to port with the same unanimity of sentiment. Waltzers spun around precariously for a matter of fifteen seconds and then went scurrying down to the rail as if they meant to go overboard. The Virginia reel, as performed on board the Quaker City, had more genuine reel about it than any reel I ever saw before, and was as full of interest to the spectator as it was full of desperate chances and hairbreadth escapes to the participant. We gave up dancing, finally.

  We celebrated a lady's birthday anniversary with toasts, speeches, a poem, and so forth. We also had a mock trial. No ship ever went to sea that hadn't a mock trial on board. The purser was accused of stealing an overcoat from stateroom No. 10. A judge was appointed; also clerks, a crier of the court, constables, sheriffs; counsel for the State and for the defendant; witnesses were subpoenaed, and a jury empaneled after much challenging. The witnesses were stupid and unreliable and contradictory, as witnesses always are. The counsel were eloquent, argumentative, and vindictively abusive of each other, as was characteristic and proper. The case was at last submitted and duly finished by the judge with an absurd decision and a ridiculous sentence.

  The acting of charades was tried on several evenings by the young gentlemen and ladies, in the cabins, and proved the most distinguished success of all the amusement experiments.

  An attempt was made to organize a debating club, but it was a failure. There was no oratorical talent in the ship.

  We all enjoyed ourselves—I think I can safely say that, but it was in a rather quiet way. We very, very seldom played the piano; we played the flute and the clarinet together, and made good music, too, what there was of it, but we always played the same old tune; it was a very pretty tune—how well I remember it—I wonder when I shall ever get rid of it. We never played either the melodeon or the organ except at devotions—but I am too fast: young Albert did know part of a tune something about "O Something-Or-Other How Sweet It Is to Know That He's His What's-his-Name" (I do not remember the exact title of it, but it was very plaintive and full of sentiment); Albert played that pretty much all the time until we contracted with him to restrain himself. But nobody ever sang by moonlight on the upper deck, and the congregational singing at church and prayers was not of a superior order of architecture. I put up with it as long as I could and then joined in and tried to improve it, but this encouraged young George to join in too, and that made a failure of it; because George's voice was just "turning," and when he was singing a dismal sort of bass it was apt to fly off the handle and startle everybody with a most discordant cackle on the upper notes. George didn't know the tunes, either, which was also a drawback to his performances. I said:

  "Come, now, George, don't improvise. It looks too egotistical. It will provoke remark. Just stick to 'Coronation,' like the others. It is a good tune—you can't improve it any, just off-hand, in this way."

  "Why, I'm not trying to improve it—and I am singing like the others—just as it is in the notes."

  And he honestly thought he was, too; and so he had no one to blame but himself when his voice caught on the center occasionally and gave him the lockjaw.

  There were those among the unregenerated who attributed the unceasing head-winds to our distressing choir-music. There were those who said openly that it was taking chances enough to have such ghastly music going on, even when it was at its best; and that to exaggerate the crime by letting George help was simply flying in the face of Providence. These said that the choir would keep up their lacerating attempts at melody until they would bring down a storm some day that would sink the ship.

  There were even grumblers at the prayers. The executive officer said the pilgrims had
no charity:

  "There they are, down there every night at eight bells, praying for fair winds—when they know as well as I do that this is the only ship going east this time of the year, but there's a thousand coming west—what's a fair wind for us is a head wind to them—the Almighty's blowing a fair wind for a thousand vessels, and this tribe wants him to turn it clear around so as to accommodate one—and she a steamship at that! It ain't good sense, it ain't good reason, it ain't good Christianity, it ain't common human charity. Avast with such nonsense!"

  CHAPTER V.

  Summer in Mid-Atlantic—An Eccentric Moon—Mr. Blucher Loses Confidence—The Mystery of "Ship Time"—The Denizens of the Deep—"Land Hoh"— The First Landing on a Foreign Shore—Sensation among the Natives— Something about the Azores Islands—Blucher's Disastrous Dinner— The Happy Result

  Taking it "by and large," as the sailors say, we had a pleasant ten days' run from New York to the Azores islands—not a fast run, for the distance is only twenty-four hundred miles, but a right pleasant one in the main. True, we had head winds all the time, and several stormy experiences which sent fifty percent of the passengers to bed sick and made the ship look dismal and deserted—stormy experiences that all will remember who weathered them on the tumbling deck and caught the vast sheets of spray that every now and then sprang high in air from the weather bow and swept the ship like a thunder-shower; but for the most part we had balmy summer weather and nights that were even finer than the days. We had the phenomenon of a full moon located just in the same spot in the heavens at the same hour every night. The reason of this singular conduct on the part of the moon did not occur to us at first, but it did afterward when we reflected that we were gaining about twenty minutes every day because we were going east so fast—we gained just about enough every day to keep along with the moon. It was becoming an old moon to the friends we had left behind us, but to us Joshuas it stood still in the same place and remained always the same.

  Young Mr. Blucher, who is from the Far West and is on his first voyage, was a good deal worried by the constantly changing "ship time." He was proud of his new watch at first and used to drag it out promptly when eight bells struck at noon, but he came to look after a while as if he were losing confidence in it. Seven days out from New York he came on deck and said with great decision:

  "This thing's a swindle!"

  "What's a swindle?"

  "Why, this watch. I bought her out in Illinois—gave $150 for her—and I thought she was good. And, by George, she is good onshore, but somehow she don't keep up her lick here on the water—gets seasick may be. She skips; she runs along regular enough till half-past eleven, and then, all of a sudden, she lets down. I've set that old regulator up faster and faster, till I've shoved it clear around, but it don't do any good; she just distances every watch in the ship, and clatters along in a way that's astonishing till it is noon, but them eight bells always gets in about ten minutes ahead of her anyway. I don't know what to do with her now. She's doing all she can—she's going her best gait, but it won't save her. Now, don't you know, there ain't a watch in the ship that's making better time than she is, but what does it signify? When you hear them eight bells you'll find her just about ten minutes short of her score sure."

  The ship was gaining a full hour every three days, and this fellow was trying to make his watch go fast enough to keep up to her. But, as he had said, he had pushed the regulator up as far as it would go, and the watch was "on its best gait," and so nothing was left him but to fold his hands and see the ship beat the race. We sent him to the captain, and he explained to him the mystery of "ship time" and set his troubled mind at rest. This young man asked a great many questions about seasickness before we left, and wanted to know what its characteristics were and how he was to tell when he had it. He found out.

  We saw the usual sharks, blackfish, porpoises, etc., of course, and by and by large schools of Portuguese men-of-war were added to the regular list of sea wonders. Some of them were white and some of a brilliant carmine color. The nautilus is nothing but a transparent web of jelly that spreads itself to catch the wind, and has fleshy-looking strings a foot or two long dangling from it to keep it steady in the water. It is an accomplished sailor and has good sailor judgment. It reefs its sail when a storm threatens or the wind blows pretty hard, and furls it entirely and goes down when a gale blows. Ordinarily it keeps its sail wet and in good sailing order by turning over and dipping it in the water for a moment. Seamen say the nautilus is only found in these waters between the 35th and 45th parallels of latitude.

  At three o'clock on the morning of the twenty-first of June, we were awakened and notified that the Azores islands were in sight. I said I did not take any interest in islands at three o'clock in the morning. But another persecutor came, and then another and another, and finally believing that the general enthusiasm would permit no one to slumber in peace, I got up and went sleepily on deck. It was five and a half o'clock now, and a raw, blustering morning. The passengers were huddled about the smoke-stacks and fortified behind ventilators, and all were wrapped in wintry costumes and looking sleepy and unhappy in the pitiless gale and the drenching spray.

  The island in sight was Flores. It seemed only a mountain of mud standing up out of the dull mists of the sea. But as we bore down upon it the sun came out and made it a beautiful picture—a mass of green farms and meadows that swelled up to a height of fifteen hundred feet and mingled its upper outlines with the clouds. It was ribbed with sharp, steep ridges and cloven with narrow canyons, and here and there on the heights, rocky upheavals shaped themselves into mimic battlements and castles; and out of rifted clouds came broad shafts of sunlight, that painted summit, and slope and glen, with bands of fire, and left belts of somber shade between. It was the aurora borealis of the frozen pole exiled to a summer land!

  We skirted around two-thirds of the island, four miles from shore, and all the opera glasses in the ship were called into requisition to settle disputes as to whether mossy spots on the uplands were groves of trees or groves of weeds, or whether the white villages down by the sea were really villages or only the clustering tombstones of cemeteries. Finally we stood to sea and bore away for San Miguel, and Flores shortly became a dome of mud again and sank down among the mists, and disappeared. But to many a seasick passenger it was good to see the green hills again, and all were more cheerful after this episode than anybody could have expected them to be, considering how sinfully early they had gotten up.

  But we had to change our purpose about San Miguel, for a storm came up about noon that so tossed and pitched the vessel that common sense dictated a run for shelter. Therefore we steered for the nearest island of the group—Fayal (the people there pronounce it Fy-all, and put the accent on the first syllable). We anchored in the open roadstead of Horta, half a mile from the shore. The town has eight thousand to ten thousand inhabitants. Its snow-white houses nestle cosily in a sea of fresh green vegetation, and no village could look prettier or more attractive. It sits in the lap of an amphitheater of hills which are three hundred to seven hundred feet high, and carefully cultivated clear to their summits—not a foot of soil left idle. Every farm and every acre is cut up into little square inclosures by stone walls, whose duty it is to protect the growing products from the destructive gales that blow there. These hundreds of green squares, marked by their black lava walls, make the hills look like vast checkerboards.

  The islands belong to Portugal, and everything in Fayal has Portuguese characteristics about it. But more of that anon. A swarm of swarthy, noisy, lying, shoulder-shrugging, gesticulating Portuguese boatmen, with brass rings in their ears and fraud in their hearts, climbed the ship's sides, and various parties of us contracted with them to take us ashore at so much a head, silver coin of any country. We landed under the walls of a little fort, armed with batteries of twelve-and-thirty-two-pounders, which Horta considered a most formidable institution, but if we were ever to get after it with one of our turreted
monitors, they would have to move it out in the country if they wanted it where they could go and find it again when they needed it. The group on the pier was a rusty one—men and women, and boys and girls, all ragged and barefoot, uncombed and unclean, and by instinct, education, and profession beggars. They trooped after us, and never more while we tarried in Fayal did we get rid of them. We walked up the middle of the principal street, and these vermin surrounded us on all sides and glared upon us; and every moment excited couples shot ahead of the procession to get a good look back, just as village boys do when they accompany the elephant on his advertising trip from street to street. It was very flattering to me to be part of the material for such a sensation. Here and there in the doorways we saw women with fashionable Portuguese hoods on. This hood is of thick blue cloth, attached to a cloak of the same stuff, and is a marvel of ugliness. It stands up high and spreads far abroad, and is unfathomably deep. It fits like a circus tent, and a woman's head is hidden away in it like the man's who prompts the singers from his tin shed in the stage of an opera. There is no particle of trimming about this monstrous capote, as they call it—it is just a plain, ugly dead-blue mass of sail, and a woman can't go within eight points of the wind with one of them on; she has to go before the wind or not at all. The general style of the capote is the same in all the islands, and will remain so for the next ten thousand years, but each island shapes its capotes just enough differently from the others to enable an observer to tell at a glance what particular island a lady hails from.